"Rollin' Over" (Marriot,Lane) Goodbye sunshine I'm on my way I'll be long time gone by the break of day Tell everyone that I'm gonna find it There ain't nothin' gonna stop me - Rollin' Over, Rollin' Over Save all your lovin' till I get home To the sweetest lovin' sunshine that I've ever known Tell everyone that I'm gonna find it There ain't nothin' gonna stop me - Rollin' Over, Shak-do-way Rollin' Over, Yeah-yeah-yeah.... Vocals: Brian with Chris Thompson Drums: Geoff Dugmore Bass: Gary Tibbs Piano: Mike Moran B.V's: Miriam Stockley, Maggie Ryder, Chris Thompson Include material engineered by Pete Schwier, assisted by Richard Edwards - March '88 at the Townhouse Produced By Brian May Co-produced and engineered by Justin Shirley-Smith Technical Assistance by Brian Zellis Mastered by Kevin Metcalfe All vocals, backing vocals, guitars, keyboards and anything else around - Brian May unless otherwise stated. Recorded at Allerton Hill except where stated. Mixed at Metropolis Studios except where stated. (Assistant engineers Noel Harris and Heidi Cannavo) Management: Jim Beach and Julie Glover Tour management: Gerry Stickells. Sleeve design and photography by Richard Gray. Fan Club: 46 Pembridge Road London, London W11 3HN. These performances were digitally recorded on two linked Sony '3324' 24-track machines with Apogee filters and mixed back on to two tracks on the same machines. The album was then digitally compiled at West Heath Studios with Ian Sylvester. The guitars were played mainly either through 'Zoom' boxes or good old (or new) Vox AC30's. Extra expert programming by David Richards and Brian Zellis. My Thanks to: Jacky Gunn, Sally Hyatt, Val Moss, Allistair McLaren, Marjie Winter, Melanie Martin-Keady, Neal Levin, Peter Chant, Robert Lee, Vicky Vocat, Andre Gauchat, David Richards, Lolo at Sarm, Barabara Jefferies, Penny Robinson, Crystal, Martha, Big Martin, Ray Burdis, Dominic Anciano, Jill SInclair, Anita Keogh, Brenda Brooker, Spike Edney, The Wildes of Knebworth, Pete Schwier, Richard Edwards, Lonnie Donegan, Eddie Naughton, Gary Langan, Karen Goodman and all at Metropolis Studios, Peter Harrison, Maggie Winkworth, Alan Maclean, Tony (the sweet shop man), David Mallet, Debbie Mason, Wendy Laister, Roxy Meade, Derry Hawes, Diana Moseley, Jane Gregory, Malcolm Hill, Jim Jenkins, Michael Eisner, Peter Paterno and all at Hollywood Records, Gary Arnold, Rupert Perry, Tony Wadsworth, Andrew Pryor and all at EMI Records, Helmut Fest, Kork UK, Ian Southwell, HHB, Audio FX, Brazenrock, Bill Acton, Ian Sylvester, Lynne Carey, Bryn Bridenthal, Carmen Rivera, Alan Douglas, Eren Mehmed, Dave Potter, the good folks of The Sun, Windlesham, all members of the Queen Fan Club, Trip Khalaf, Jim Devenney, Patrick Woodroffe, Peter Hince, Rudi Dolezal, Hannes Rossacher, Stephenie Wagner, Paul Bobbins and Toby (the dog), Malcolm Thomas, Marie Ramsden, John (Tunbridge) Wells, Wally Gore, Ron The Dog. For the past 20 years I have been priviledged to work with the best team in the world. Thankyou Roger, John and out dear incomparable, sorely missed, Freddie, and all those who worked for Queen over the years, for getting me this far. My Special thanks also: To my dad for making my guitar with me. It should just see me out. To Dick Denney, for designing the AC30. To Jimmy May for keeping me clear about how cool I'm not, Louisa May for pet care and control, and Emily May for sunshine every day. To my dear mum for keeping Allerton Alive. For persistant freindship. much appreciated, Tom Short, Nathan East, Steve Ferrone, Rick Wakeman, Steve Vai, Paul Rodgers, E.V.H., Elton John, Axl, Slash and the Def Leps. To Joe Satriani for a magnificent guitar which makes its debut on 'Nothin' But Blue' To Justin, for hanging in there like the trooper he is and patiently dealing with my erratic recording habits. For support and encouragement, to Tommy Iommi, Joe Elliot, Nuno, Gary, Paul and Pat of Extreme, Niel Murray, Jack Nelson, Mike Moran and Cozy Powell, whose contribution to this album is inestimable. And to my lady, Anita Dobson, for having faith that I could fly. This album is dedicated to Harold May, Alfred Dobson and Freddie Mercury. And